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The artist primarily works in large formats, incorporating numerous small components across the canvas. This meticulous approach is why his paintings often take over a year to complete. His style represents a form of absolute controlled abstraction — a highly deliberate process that still allows for an improvised flow, though it leaves little to no room for the so-called 'accident.' This controlled aspect of the work functions as a kind of armor — a hiding place behind which the artist conceals himself, both emotionally and conceptually.
Series Title: "Architectures of Entropy"
"Architectures of Entropy" is a series of large-scale paintings that explores the collision between structure and disorder, control and emergence. Constructed upon meticulously rendered isometric grids, each composition investigates the fragility of order as it is gradually overtaken by dense, cellular systems of form. These invading structures—reminiscent of urban sprawl, data accumulation, or biological growth—challenge the boundaries of the imagined architectural framework, raising questions about the limits of design, stability, and the illusion of permanence.
The paintings unfold through a slow, layered accumulation of marks, offering a deliberate counterpoint to the accelerating velocity of the world they reflect. The clean, spectral scaffolding evokes virtual spaces—drafting models, simulations, or vanished plans—while the encroaching masses of dark, clustered forms pulse with a quiet urgency. Each work functions as a spatial meditation on entropy: a diagram of encroachment, transformation, and the unpredictable consequences of unchecked expansion.
Rather than mapping literal terrain, the series charts psychological and societal conditions—where idealized systems confront complexity and collapse. There is an intentional resistance to speed embedded in the work, a kind of visual slowness that mirrors the gradual erosion of order by time itself. As such, these pieces resonate across disciplines—architecture, ecology, technology—offering a language for instability, for worlds in transition, and for the quiet tension between intention and inevitability.
